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Article detail · 2018 · article

Türk Halk Müziğindeki Doğal Çok Sesliliğin Müzik Eğitimindeki Yansımaları

Journal Yüksek Öğretim ve Bilim Dergisi
ISSN2146-5967
YÖKSİS OpenAlex Open access · diamond TR Index
Year2018
Citations0OpenAlex
Percentile%7.6
FWCI0.01.00 = world average

Data source split

  • YÖKSİSYÖKSİS article record
  • YÖKSİS venueYüksek Öğretim ve Bilim Dergisi
  • OpenAlexOpenAlex enrichment (abstract, citations, topics)
  • Semantic Scholarcitation count (not merged with OpenAlex)

Abstract

OpenAlex English

This study is a descriptive study and aimed to determine the structure of natural polyphony existing in Turkish Folk Music and the process after the Republic when an effort was devoted consciously to polyphony and its use in musical education. Polyphony in TFM can be seen densely in folk instruments. In this respect, it can be stated that there is a need for a secondary instrument (“polyphony”) to accompany with those played by folks. There is an understanding of accompanying in most folk instruments. However, polyphonic structures existent in Turkish Folk Music are spontaneous (“self-induced”) elements and therefore they are at basic level. After the foundation of Turkish Republic, Turkish Folk Music was evaluated differently by several musicians in polyphonic approaches. Today, such a branch called polyphonic Turkish Music was developed by composers and researchers and attained its place in musical education.

Topics

Citations

OpenAlex cited_by_count. Not a WoS or Scopus citation count; those sources have no separate column here.

0citationsOpenAlex · cited_by_count (cache / database)

Authors

2
  1. GÖKALP PARASIZ BALIKESİR ÜNİVERSİTESİ 1
  2. OZAN GÜLÜM ATATÜRK ÜNİVERSİTESİ 2