Kars Kağızman Türkiye Gemikaya Azerbaycan Ulsan Güney Kore ve Alta Norveç Kaya Petrogliflerinin Benzer Özellikleri ve Motiflerine Dair

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Anadolu yarimadasi ve Kafkasya’dan baslayip Teklemenkan’a kadar uzanan eski Turklerin yasadigi arazideki kaya panolari icerik, gorunus ve yapilis ozellikleri bakimindan Kore ve Iskandinavya yarimadalarindaki kaya tasvirleri ile benzerlik gostermektedir. Iskandinavya’nin (Alta, Komsa, Tennese ve Saam), Kore’nin (Ulsan, Ulju, Andong, Haman), Dogu Anadolu’nun (Dereici, Karaboncuk, Camuslu), ve Kucuk Kafkasya’nin (Karagol, Zalhagol, Pericingil ve Gemikaya) kaya panolarinin icerigini gecim, zaruri ihtiyaclar, avcilik ve soysal hayat olarak gruplandirabiliriz. Alta, Gemikaya ve Kars-Kagizman’daki kaya resimlerinin yerlestigi arazilerin, dogal iklim sartlari benzerlik gosterir. Her uc galeride 6000 yil yasa ulasan (M.O. 4000 – 4200 yil) kaya ustu tasvirler sert iklim sartlarindan korunarak bu gune ulasmistir. Altay halklarinda ve kadim Turklerde geyik mukaddes sayilmistir. Mukaddes sayilan geyigin kaya resimlerine Altay daglarinda (Elengas, Kizil Kol, Kolpak Tas), ayni zamanda bugun geyigin yasamadigi Dogu Anadolu’da, Tyansan’da (Isikkul), Elengiz’de (Gemikaya) rastlanmasi belirtilen arazilerde kadim Turklerin yasadigini gostermektedir. Iskandinavya yarimadasinda yapilan arkeoloji calismalar kadim donemde yerli ahalinin gida ihtiyacinin % 95’e kadarini deniz mahsulleri ile karsiladigini ispat etmektedir. Muhtelif baliklarin, ozellikle tulenin (fok baligi) kaya resimleri genis bir arazide yayilmasina ragmen, deniz sahilinde yerlesen Komsa’da kaya panolarinin icerigini geyik ve keci resimleri olusturur. Burada deniz hayvanlari tasvirine rast gelinmemesi oldukca onemlidir. Butun bunlar Altay halklarinin ve kadim Turklerin Norvec denizine kadar goc ettikleri ve orada meskunlasarak zaman zaman yerli halklarla asimulasiyon veya geriye migrasya (goc) ettikleri hakkinda fikir iddia etmeye imkân vermektedir. Meshur Norvec seyyahi Tur Heyrdal’in “As-Azov”, “Tur-Turciya” ve benzeri toponim tahlilileri bu dusunceyi onaylamaktadir. Kaya tasvirlerinin bilimsel tahlilinden su neticeye ulasmak mumkundur ki; Alta, Ulsan, Kars-Kagizman ve Gemikaya petrogliflerini cizenler ayni halk veya akraba tayfalardir. Bizce Avrasya’nin bir ucundan diger ucuna zaman zaman goc eden ayni dilli halklar, imzalari olan kaya ustu tasvirleri gittikleri yerlere tasimis ve beseriyetin manevi hazinesine en buyuk miraslardan birini birakmislardir. On the spreading areas of the ancient Turks-paintings on rocks in large territories beginning from Anadolu up to Altay according to their composition and plot are similar to the paintings in Korea (Ulsan, Ulju, Andong, Haman) and Scandinavia. Paintings on rocks in Scandinavia (Alta, Komsa, Tennese and Saam) as well as in the Small Caucausus, (Zangezeur, Paragol, Zalkhagol, Perichingil and Gamigaya) can be divided into four groups due to the social, style of life, economy and hunting. Natural climatic conditions of the territories where Kars – Kagizman, Alta and Gamigaya rock paintings are located are very alike. Rock paintings in each galleries which are 6000 years old (4000-4200 B.C.) have protected from severe climate and lived up to our days. The description of the deer which is widely spread in Alta as well as the paintings describing the development of the family can be found in some places in Gamigaya. For Altay nations and ancient turks the deer descriptions can be found in the Altay mountains (Elengash, Kijil-kol, Kolpak-tash) as well as in East Anadolu, where the deer doesn’t exist, (Dereichi, Karabonjuk, Jamushlu), Small Caucausus mountains (Gamigaya), Korea (Ulsan). This fact shows that ancient turks lived in the above mentioned territories. Archaeological excavations in Scandinavia prove that in old times 95% of food used by the local people was sea food. Though paintings on rocks of different fishes, seals are widely spread everywhere, in compare with the descriptions of deer and goats, they almost can’t be found in Komsa which is situated on the seashore. All these facts prove that Altay nations, as well as ancient turks wondered up to the Norway Sea, inhabited there, became assimilated to the local people and migrated back. The famous traveler Tur Heyerdal analyzed the toponyms of places where Turkish speaking people lived and show definite relations and similarities between these people and Scandinavia ancient people. According to him it is necessary to search for the explanation of such toponyms in Norway like ‘’As”, ‘’Odin”, ‘’Tur”, ‘’Karashka” and so on. After all shown above, especially after scientific investigation of rock paintings we can come to the concrete conclusion that the authors of both Kars-Kagizman, Ulsan, Alta and Gemikaya petroglyphs have been the same or relative people or clans. We think that these rock paintings are the sign of Turkish speaking people who migrated from one end of Eurasia to another from time to time and their great gift to the spiritual treasury of mankid.