Cinema History and Criticism

20. yüzyılda sinema, iktidardaki egemen güçlerin ideolojilerini kitlelere yansıtılmalarında ve onlar üzerinde tahakküm kurmalarında başvurdukları önemli bir iletişim aracı olmuştur. Özellikle 20. yüzyılın ilk yarısında Nazizm, Komünizm ve Faşizm gibi ideolojilerin Avrupa’da egemen olduğu yıllarda, sinema sektöründe id…

• CANER ÇAKI

This article explores the making of the dizi genre. Coming a long way since the 1970s, the dizi genre, which was once inspired by foreign drama, has now established a global impact, reaching out to distant territories and audiences. As a genre, dizi has different features from the soap and telenovela. Because dizis ar…

• ARZU ÖZTÜRKMEN YILMAZ

This paper reports on the use of cinema therapy at a psychiatry clinic for inpatients. The program, "Watching Cinema Group Therapy," was used with over 500 inpatients over the course of one year. We found that using movies for group psychotherapy sessions encouraged the patients to talk about their beliefs, thoughts,…

• AHMET BÜLENT YAZICI

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Sinemanın icadıyla başlayan sinema mimarlık ilişkisine bakıldığında, iki sanat dalının birbirinden etkilendiği açıktır. Bu etkileşim, sadece sinemanın mimarlığa etkisi şeklinde olmayıp, mimarlığın sinema tarafından kullanılmasını, doğal bir sonuç olarak da mimarlığın farklı ölçeklerde sinemadan kendine geri besleme sa…

• ASU BEŞGEN
• ŞÖLEN KÖSEOĞLU

Cinema industry has changed from celluloidbased film to the digital production, distribution and release net fastly by the end of 20 th century.Changes in the classical production style led to changes in distribution and viewership trends as well.This change caused to better understand the old and to adapt to the new.…

• NİHAN GİDER IŞIKMAN

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• ALİ KARADOĞAN

This study analyzes spaces within the scope of feminist film theories and examines how Belmin Söylemez, the director of Şimdiki Zaman, represents the main female characters to her audience. Şimdiki Zaman is considered to be provocative in the discourse of classical narrative cinema. Here, its status is analyzed by que…

• BERCESTE GÜLÇİN ÖZDEMİR

This paper scrutinizes the ways in which two films from the showcase of contemporary Turkish popular cinema (Mrs. Salkim's Diamonds and Commissar Shakespeare) function in disordering the monolithic and homogenising discourse of Kemalist nationalism. The paper is an attempt to unravel how the official nationalism in Tu…

• YÜKSEL GÖKÇEN KARANFİL

Architect candidates must undergo a qualified aesthetic and cultural education in a professional field such as architecture that outweighs the artistic side. This idea originates from the belief that architectural projects and designs by architects with a profound artistic-cultural education enriched by global culture…

• NEVNİHAL ERDOĞAN

Cinematography has been utilized for the purposes of social as well as cultural-historical transmission since late 17th century. The benefits that motion pictures provided during World War I drew attention to the educational aspect of cinema. In the United States and in Europe, motion pictures search committees were f…

Nuri Bilge Ceylan is a puzzling filmmaker who started his career as a photographer and initially made films with a “photographic” spirit. But from his first films known as the Trilogy of Province to his award winning latest feature Winter Sleep, Ceylan has changed drastically. Once a modest artist refusing to give int…

• ASLI DALDAL EVREN