TARİH VE HAFIZA KAVRAMLARI ÜZERİNDEN TÜRK RESMİNE BİR BAKIŞ

OpenAlex · Türkçe

Bu calisma, tarih ve hafiza kavramlarinin rolunu Turk resim sanatindaki ornekler uzerinden tartismayi hedeflemektedir. Toplumsal hafizanin, gorsel imgeler araciligi ile nesiller arasi aktarim yaparak tarih mefhumunu olusturdugunu var sayarsak, resim sanati ile olusan gorsel bir tarihten de bahsedebiliriz. Turk resim sanatinda gercek olaylara referans veren resimler incelendiginde, donemin hâkim ideolojisiyle hem es hem de zit hareket eden konularin islendigine tanik oluruz. Ornegin Cumhuriyet donemi resimleri, hâkim ideoloji ile isbirligi icinde, modern Cumhuriyet projesinin soylemleriyle bicimlenmis olarak karsimiza cikarken, 1960 sonrasi resimlerde ise hâkim ideolojilerle yasanan sorunlarin calismalarin icerigine yansidigi gorulmektedir. Bu noktada ise bizi tarih ve hafiza kavramlari karsilamakta, gercek olaylar, sanatin estetik, islevsel ve elestirel boyutuyla ic ice gecerek hem resmi tarihe hem de toplumsal hafizaya eklemlenmektedir. Boylece bu calismada resmi tarihe ve toplumsal hafizaya referans veren ornekler incelenerek, tarih ve hafiza kavramalari uzerinden Turk resim sanatina bir bakis gerceklestirilecektir. This study aims to discuss the role of history and memory concepts through the examples in Turkish painting art. We can also talk about a visual history formed by the painting art by assuming that the social memory formed the concept of history by transferring between generations through visual images. When we examine the paintings giving reference to actual events in Turkish painting art, we see that subject that acting concurrently and oppositely with the dominant ideology of the period were discussed. For instance, while Republican period paintings appear as being formed by the discourses of the modern Republican project in cooperation with the dominant ideology, it is seen that problems experienced with the dominant ideologies in paintings after 1960 were reflected in the content of studies. At this point, we are faced with the history and memory concepts, and actual events are articulated to official history and official history by engaging with the aesthetic, functional and critical dimensions of the art. Thus, in this study, Turkish painting art will be overviewed through history and memory concepts by analysing the examples giving reference to official history and social memory.