Türk Naif Sanatçılardan Hüseyin Yüce, Fahir Aksoy ve Fatma Eye Üzerine Bir Değerlendirme

OpenAlex İngilizce

The understanding of Abstract Art, dominant in 1950s in Turkey has undergone a transformation (change-shift) as a result of political and cultural reasons (factors) and drawings bearing the characteristics of Turkish-Islamic synthesis have started to appear. In such an artistic environment Nave Art, which gained popularity with (discovery of) Hseyin Yce's paintings, was based on a different understanding as opposed to the art movements which are traditionally formed by the principle of denial of one another. This study aims to make an evaluation of artistic tendencies, understandings and qualities of works of Turkish nave artists Hseyin Yce, Fahir Aksoy and Fatma Eye by referring to their life stories.